Summary

Long beforeLokimade them integral to the MCU, the Time Variance Authority were introduced as a satirical jab atMarvelitself.Creator Walt Simonsonconfirmed this in a post online, in which he paid a tribute to late writer and editor Marc Gruenwald, who served as the visual basis for Mobius M. Mobius' character design.

On Instagram, Simonson postedan old photograph of Gruenwald, along with a caption explaining how his colleague ended up on the page as Mobius. Gruenwald passed away tragically in 1996; nearly thirty years later, hislegacy continues to be preserved by Marvel, and by former coworkers like Walt Simonson.

Cable TVA

A legendary name in the industry himself,Simonson noted that his original intention for the Time Variance Authority was corporate satire, making fun of the changing atmosphere at Marvel during the late 1980s and early 1990s.

1 X-Men Hero TERRIFIES the MCU’s Time Variance Authority

The Time Variance Authority were a formidable force in the MCU’s Loki series, but one member of the X-Men strikes fear into their hearts.

Walter Simoson Poked Fun At His Own Publisher With The Original “TVA”

And Immortalized Colleague Marc Gruenwald

The satirical origin of the Time Variance Authority was…an in-joke at [Walt Simonson’s] own company’s expense – but in retrospect, it contains great insight into the trajectory of the comic book industry over the last several decades.

The original incarnation of the TVA played a relatively minor role in the Marvel Universe, butthe story of its initial development offers insight into the evolution of Marvel Comics over the years.As Walt Simonson explained, the concept was a response to what it was like working at Marvel as the company began to experience a culture shift. Simonson noted:

Thor #372, first appearance of TVA in Marvel canon, depicted monitoring various timelines (including a Hulk cameo.)

I originally created the TVA (the Time Variance Authority) as something of a satire of Marvel Comics, which was becoming more corporate at that time. Part of the story structure was that we never saw any top level executives. The employers I showed - the Time Monitors - were faceless.

After a brief introduction 1986’sThe Mighty Thor#372, this depiction of the TVA was elaborated on in several early 1990sFantastic Fourstories, along with the human face on the organization: Mobius M. Mobius.

Fantastic Four Annual #24 cover, featuring the Four & the Guardians of the Galaxy piled up in a heap after being defeated.

As Simonson’s editor onThor, Gruenwald was receptive to the joke at their employer’s expense; more than just “getting” it, and allowing it to make it into the final version of the story, Gruenwald posed for photos, which Simonson in turn used as a reference in the creation of Mobius. A Gruenwald-esque character is seated in front of a monitor depicting a cameo appearance from the Hulk inMighty Thor#372,though he would later make his first full appearance inThe Fantastic Four.

The satirical origin ofthe Time Variance Authoritywas, as Walt Simonson describes it, an in-joke at his own company’s expense – but in retrospect, it contains great insight into the trajectory of the comic book industry over the last several decades. Not only did Simonson recognize the corporate future of Marvel, he also unwittingly tapped into future generations' obsession with continuity. It was this latter, unintentional meaning that would, decades later, give rise to the Marvel Cinematic Universe incarnation of the organization.

Fantastic Four #354, the TVA’s faceless chronomonitors reacting to a disturbance

Simonson’s “Time Monitors” Were A Dig At Marvel’s Corporatization

Effective, If Subtle Satire

With the Time Monitors, Walt Simonson offered recognition that many of the things which made working in the comic industry unique would eventually be challenged by an increasingly corporatized environment.

In their most iconic pre-MCU appearance, fromFantastic FourAnnual#24, the TVA’s Time Monitors are depicted as faceless – though notably not without personality – suit-wearing office workers, in the most direct articulation of Simonson’s original concept. Interestingly, Wal Simonson was not the author on the issue; given the collaborative nature of Marvel’s editorial process during that era, however, it can be assumed he had direct involvement in the story’s development. In any case, this was also the story in which Mobius' visual connection to Mark Gruenwald was also truly emphasized for the first time.

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Fantastic Four Annual #24(1991)

Audiences are trained to identify satire that is brash, biting, and confrontational, but it just as often comes in more subtle forms. It is not always a bold indictment of something the writer is against; in many cases, satire functions as a sly “if you know, you know” signal from an author to a certain subset of readers. With the Time Monitors, Walt Simonson offered recognition that many of the things which made working in the comic industry unique would eventually be challenged by an increasingly corporatized environment.

The extent to which that has come to pass is a matter for those in the industry to articulate further – whether openly, in interviews, or distilled onto the page in some aspect of their latest story. Marvel has, of course, grown into a substantially bigger corporation, as Walt Simonson poked fun at as far back as 1986;ironically, the success of the company’s film and TV adaptationsled to the relatively obscure TVA being recontextualized, on screen, as one of the most essential aspects of MCU lore.

Loki’s TVA Is A Natural Progression Of Simonson’s Original Concept

With Hints Of His Satirical Intent

Though he didn’t do much with them on the page, the TVA have proven to be among [Walt Simonson’s] most lasting impacts at Marvel.

TheTime Variance Authority introduced inLokimay have diverged from the original’s visual aesthetic – a necessity of adapting them to a live-action medium – but its core concept remains largely the same as when it was initially introduced. Refined, perhaps, for the particularities of the MCU, and for contemporary sensibilities about continuity, but essentially, their function in the Multiverse as established by Walt Simonson was adapted intact. As with many of the MCU’s best aspects, it is as if the TVA’s creator left it waiting there knowing the concept would be fully articulated in the future.

What connects the original TVA – and the original intent behind them – to the MCU version is the tone with whichLokitreated the organization. Of course, viewers will know that their seemingly benevolent mission statement actually belied a more nefarious purpose, and in this way,the satirical nature of the Time Variance Authority at the time of its introduction is at least reflected, at least not outright preserved. While the show does not overtly connect the TVA back to Marvel, or Disney, those comparisons may be on the minds of some fans.

Walt Simonson has had a long, legendary careerin comics – and though he didn’t do much with them on the page, the TVA have proven to be among his most lasting impacts at Marvel. Both for how he preserved the late Mark Gruenwald’s legacy in the form of Mobius, and for his contribution to the Marvel Cinematic Universe. For an idea that began as a satire ofMarvel, it has come to be one of their most relevant pieces of on-screen lore. While future seasons ofLokimay be uncertain, the TVA will likely remain a fixture of the MCU for some time to come.

Loki

Cast

Loki is a series in the Marvel Cinematic Universe following the alternate version of the titular character, Loki, after the events of Avengers: Endgame. Taken by the Time Variance Authority, he must confront his identity and choices while aiding in fixing the disrupted timeline to avert a greater threat.